FRANCISCO VÁSQUEZ
B. 1979
There is a fluidity to the use of perspective in the illustrations of Francisco Vásquez. This doesn’t mean perspective is lost for a lack of strictness, but rather that he finds a way to make it seem organic, permeated by the subjectivity of the human eye. It resembles many times the effect of looking at the world through a wide lens, or that of a GoPro from a high point. An openness to the borders of the images is also present. Vásquez, who is a native of Paraná, Argentina, has dedicated a lot of his career to the organizing and curation of art. He also teaches illustration to amateurs as an effort for the development of art in the region.
FRANCISCO VÁSQUEZ
B. 1979
There is a fluidity to the use of perspective in the illustrations of Francisco Vásquez. This doesn’t mean perspective is lost for a lack of strictness, but rather that he finds a way to make it seem organic, permeated by the subjectivity of the human eye. It resembles many times the effect of looking at the world through a wide lens, or that of a GoPro from a high point. An openness to the borders of the images is also present. Vásquez, who is a native of Paraná, Argentina, has dedicated a lot of his career to the organizing and curation of art. He also teaches illustration to amateurs as an effort for the development of art in the region.